A Story House Studio Podcast
Come Back To Earth
Honest conversations with musicians about creativity, mental health, and staying human in the work.
Latest Episode
Robin Vincent: Modular Synths, Hardware Culture & Why Building Sound by Hand Keeps Us Sane
In this episode of Come Back to Earth, I reflect on the grounding power of having something small you can control — a dial, a cable, a circuit — when the rest of life feels unpredictable.

I then sit down with music technology veteran and journalist Robin Vincent to talk about modular synthesis, hardware culture, and why building electronic music by hand keeps people curious, engaged, and sane.

This conversation explores tactile creativity, community, and the difference between scrolling presets and crafting sound from scratch. It also asks a bigger question: In an era of instant generation, what do we lose — and what do we gain — when we stop building things ourselves?
More Episodes
  • Elle Indigo: From Poetry to Music
    Elle Indigo has been finding words for things most people leave unnamed. She started in poetry, the private kind, written for no one in particular. Then the words started needing music underneath them. And somewhere in that transition she discovered something about the difference between writing to process and writing to connect.
  • Brittney Jenkins: Bending Instead of Breaking — Generational Trauma, Identity & Healing Through Music
    Some stories don’t change. We do. In this episode, J.D. sits down with Brittney Jenkins to discuss her song 'Bend to Break' from her album 'Faultlines'. Brittney explores themes of identity, distance, generational trauma, and the power of reframing the past after growing up in a conservative North Carolina community and building a life in the UK. This conversation covers music as a tool for healing, the artist's creative process, and the strength required to bend instead of break.
  • Joe McLeod: Songwriting Through Grief and the Weight of Becoming the Protector
    Grief doesn’t always arrive as tears. Sometimes it arrives as instinct, the sudden, sharp reflex to call someone who isn’t there anymore.

    I’m sitting down with Canadian folk-pop songwriter Joe McLeod to talk about his single, “ARROWS” the first release from his upcoming album TORN. Written over years of reflection following the loss of his father at age 22, “ARROWS” explores the weight of becoming the protector.

    From writing in solitude on an acoustic guitar to intimate house shows in Switzerland, this conversation explores loss not as a one-time event, but as a lifelong reshaping. 
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You've made it to Come Back To Earth — a place for musicians and makers to exhale for a minute.

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